<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Tyler-Rollins-Fine-Art on freeDimensional</title><link>https://fd.tllester.info/tags/tyler-rollins-fine-art/</link><description>Recent content in Tyler-Rollins-Fine-Art on freeDimensional</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 07 Jan 2014 00:00:00 +0000</lastBuildDate><atom:link href="https://fd.tllester.info/tags/tyler-rollins-fine-art/index.xml" rel="self" type="application/rss+xml"/><item><title>'Public Secrets' - Performance &amp; Screening - Saturday, January 11 6-9PM</title><link>https://fd.tllester.info/public-secrets-performance-screening-saturday-january-11-6-9pm/</link><pubDate>Tue, 07 Jan 2014 00:00:00 +0000</pubDate><guid>https://fd.tllester.info/public-secrets-performance-screening-saturday-january-11-6-9pm/</guid><description>&lt;p&gt;&lt;strong&gt;&lt;img src="https://fd.tllester.info/freedimensional/images/1217925152_Arahmaiani_2-300x196.jpg" alt="1217925152_Arahmaiani_2"&gt;‘Public Secrets’: Arts, Culture and Contemporary Indonesian Politics after the Fall of Suharto&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Location: Project Reach NYC. 39 Eldridge Street, 4FL. New York NY, 10002&lt;/p&gt;
&lt;p&gt;Performance by Arahmaiani /Screening of Erika Baglyas’s film &lt;em&gt;Honestly&lt;/em&gt; featuring CM Rien Kuntari&lt;/p&gt;
&lt;p&gt;Conversation with Arahmaiani &amp;amp; CM Rien Kuntari&lt;/p&gt;
&lt;p&gt;1998, in the wake of the Asian financial crisis and the resignation of General Suharto after 32 years in power, was a tumultuous year for Indonesia. Promises of long-overdue democratic reform were quickly overshadowed by persistent political and economic instability, rampant corruption, civil unrest and terrorism. Performance artist Arahmaiani and war journalist Cordula Maria Rien Kuntari were witness to this important historical moment and its aftermath, both as insiders and outsiders. In addition to a shared national identity, both women share the common experience of being forced to leave their countries of origin as a result of their professional practice as it served to interrogate abuses of power and the hypocrisy of politics in their country.&lt;/p&gt;</description></item></channel></rss>