<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Nyfa on freeDimensional</title><link>https://fd.tllester.info/tags/nyfa/</link><description>Recent content in Nyfa on freeDimensional</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Mon, 05 Mar 2012 00:00:00 +0000</lastBuildDate><atom:link href="https://fd.tllester.info/tags/nyfa/index.xml" rel="self" type="application/rss+xml"/><item><title>Chaw Ei Thein featured in NYFA's Immigrant Artist Project Newsletter</title><link>https://fd.tllester.info/chaw-ei-thein-featured-in-nyfas-immigrant-artist-project-newsletter/</link><pubDate>Mon, 05 Mar 2012 00:00:00 +0000</pubDate><guid>https://fd.tllester.info/chaw-ei-thein-featured-in-nyfas-immigrant-artist-project-newsletter/</guid><description>&lt;p&gt;&lt;img src="https://fd.tllester.info/freedimensional/images/chaweipaint-215x300.jpg" alt="" title="chaweipaint"&gt;&lt;strong&gt;&lt;a href="http://chaweithein.blogspot.com/"&gt;Chaw Ei Thein&lt;/a&gt;&lt;/strong&gt; (2011 Mentee Alum, Burma), is a painter and performance artist whose work stems from her contrasting experiences of growing up in a politically oppressive Burma and then shifting to a very different landscape in the United States. Chaw Ei&amp;rsquo;s emotionally charged work of addressing these conflicts in her native country has earned her critical acclaim, awards, and residencies in the U.S. and abroad. However, it has also forced her to live in political exile in which returning to her native country could mean reprisal from the Burmese government. Between her experiences in the U.S. and her desire to return home, Chaw Ei balances multiple tensions in her work. She shares how she deals with her experience and how she has found her Mentorship with Alexandra Pacula in the NYFA Mentoring Program helpful to her artistic career and personal pursuits. The Mentoring Program collaborated with &lt;a href="http://freedimensional.org/"&gt;freeDimensional&lt;/a&gt; to pair Chaw Ei with her Mentor.&lt;/p&gt;</description></item><item><title>Estonia &amp; NYC: Sharing the Model of Critical Hosting</title><link>https://fd.tllester.info/estonia-nyc-sharing-the-model-of-critical-hosting/</link><pubDate>Thu, 28 Apr 2011 00:00:00 +0000</pubDate><guid>https://fd.tllester.info/estonia-nyc-sharing-the-model-of-critical-hosting/</guid><description>&lt;p&gt;&lt;a href="https://fd.tllester.info/freedimensional/images/TEH71_programme_www_Page_1-212x300.jpg"&gt;&lt;img src="https://fd.tllester.info/freedimensional/images/TEH71_programme_www_Page_1-212x300.jpg" alt="" title="TEH71_programme"&gt;&lt;/a&gt;From April 14-17, freeDimensional’s program coordinator Sidd Joag was invited to present &lt;a href="https://fd.tllester.info/pdfs/art-spaces-hosting-activism-en.pdf"&gt;Art Spaces Hosting Activism and Strengthening Community Engagement&lt;/a&gt; at the &lt;a href="http://www.teh.net/Portals/2/docs/TEH71_programme_www.pdf"&gt;Trans Europe Halles Meeting 71&lt;/a&gt;, titled ‘Shifting Gears’ in Tartu, Estonia.  The meeting brought together representatives from nearly fifty of Europe’s leading independent cultural institutions and was an exciting opportunity for fD to present its &lt;a href="https://fd.tllester.info/pages/creative-safe-haven/"&gt;Creative Safe Haven&lt;/a&gt; model to a wider European audience. Special thanks to Lemmitt Kaplinski for joining fD’s workshop and discussing his process and challenges in providing safe haven for &lt;a href="http://www.oakleyonorder.com/" title="cheap oakley"&gt;cheap oakley&lt;/a&gt; Georgian poet Zurab Rtveliashvili, adding the necessary personalized perspective.  ‘Shifting Gears’ included several performances, short presentations, workshops and discussions investigating the potentials for creative collaboration, artist mobility, resource exchange and capacity building between TEH member organizations.  Congratulations to the &lt;a href="http://www.nelk.ee/"&gt;Creative Center Carnation&lt;/a&gt; for hosting an exciting and productive meeting. As Tartu’s first full engagement with the international arts community, Meeting 71 was an important moment in the history of that city’s growing art and culture scene. &lt;/p&gt;</description></item></channel></rss>